Apprenticeship

BLUE POTTERY









Ustaad sajid, the only craftsman left in the city, continues to preserve and promote blue pottery due to its historical and cultural significance of the city.








Ustaad Wajid, a true master of Multani blue pottery, holds the key to the genuine art that defines this ancient craft. With deep expertise in the delicate techniques and designs, he's a living connection to a heritage that spans many years. His commitment to preserving and passing on the essence of Multani blue pottery is truly remarkable.

Under Ustaad Wajid's guidance, I had the privilege of immersing myself in the world of blue pottery with a mentor who's an expert in every sense. His patient teaching, keen attention to detail, and passion for the craft illuminated my journey. Through his guidance, I not only learned the technical aspects of the art but also absorbed the stories and traditions each brushstroke carried.

From the careful process of hand-painting the designs on surfaces to the vital glazing technique, Ustaad Wajid's insights were invaluable. His assistance extended to the critical firing of the pieces, ensuring the vivid blue shades emerged just as enchanting as envisioned.

Ustaad Wajid's mentorship went beyond techniques, imparting a deeper understanding of the cultural roots that give Multani blue pottery its significance. His dedication to passing on this legacy speaks volumes about his commitment to the craft and the broader cultural heritage it embodies.

It's not just about creating art under his guidance; it's about honoring an art form, preserving traditions, and contributing to the continuation of a craft that's close to the heart of Multan. Ustaad Wajid's legacy extends beyond tangible art; it's a legacy of knowledge, passion, and the profound influence he has on artists like me. We carry his teachings forward as we innovate, all thanks to his unwavering support and guidance.








hand painted these tiles with 75% cobalt and 25% water.



cobalt dyes; it is painted with the hair of a squirrel



OKAIR SAZI






My journey into the world of Okair Sazi, the intricate art of embossed designs on leather and paper, has been an enriching and inspiring experience. It all began when I had the privilege of learning from the master artisan, Haq Nawaz Sahab. Under Haq Nawaz Sahab's mentorship, I discovered the intricate tools of the trade, such as the sharp needles and the delicate threads used to create embossed designs. Learning to manipulate these tools to bring out the beauty of the craft was both challenging and immensely rewarding.


The process of working with the sharp needles and paper bundles, of meticulously crafting designs and imprinting them onto leather and paper, was both meditative and artistically fulfilling. As I honed my skills, I began to appreciate the cultural and historical significance of Okair Sazi, and how it has been a part of Multan's heritage for centuries.

Haq Nawaz Sahab's guidance didn't just impart knowledge and skills; it instilled in me a profound respect for the art and its traditions. The experience of learning from him was not just about mastering the craft; it was about connecting with the legacy of Okair Sazi and understanding its place in the broader cultural tapestry.





















NAQASHI













Working with Abdur Rehman Naqaash was a truly enlightening experience. His skills in camel skin Naqaashi, the art of intricate carving and design on camel skin, were nothing short of remarkable. Abdur Rehman's mastery over the craft was evident in his precise carving techniques, intricate detailing, and deep understanding of camel skin as a medium for artistic expression.

Under his guidance, I had the privilege of practicing Naqaashi on a simple piece of camel skin sheet. Abdur Rehman patiently taught me the traditional techniques and methods, emphasizing the importance of precision and attention to detail. I vividly remember the first time I held the carving tools in my hand, trying to replicate the delicate patterns and designs that he effortlessly created.

One of the most memorable exercises during my apprenticeship was when I practiced Naqaashi in two different colors. Abdur Rehman encouraged me to experiment with different shades and tones, allowing me to explore the depth and dimensionality of the designs. This exercise not only improved my technical skills but also instilled in me a sense of creativity and artistic expression.

As I gained confidence and expertise, Abdur Rehman entrusted me with a more complex project: designing a lampshade that would showcase the rich culture of Multan. This was a significant challenge, but with his guidance and encouragement, I embarked on the intricate task of crafting a lampshade that would reflect the essence of Multan's heritage.




I meticulously painted the lampshade, incorporating elements of Multani culture, including vibrant colors, traditional patterns, and iconic symbols. The process was both rewarding and challenging, requiring me to merge my newfound skills with a deep appreciation for the cultural significance of the art.

Throughout my apprenticeship, Abdur Rehman Naqaash not only taught me the technical aspects of Naqaashi but also instilled in me a profound appreciation for the history and cultural importance of this traditional art form. His mentorship allowed me to not only develop as an artist but also to become a custodian of Multan's artistic heritage.

In conclusion, my experience working alongside Abdur Rehman Naqaash was transformative. His expertise, patience, and passion for camel skin Naqaashi not only honed my artistic skills but also enriched my understanding of Multan's cultural legacy. It was a privilege to learn from a master of the craft and to contribute to the preservation and continuation of this beautiful art form.